【輸入盤CD】【新品】Ink Spots / Hits Collection 1939-51【K2023/12/8発売】(インク・スポッツ)

発売日: 2023/12/8輸入盤レーベル: Acrobat収録曲: 1.1 If I Didn't Care1.2 You Bring Me Down1.3 Address Unknown1.4 My Prayer1.5 Bless You1.6 I'm Getting Sentimental Over You1.7 When the Swallows Come Back to Capistrano1.8 Whispering Grass (Don't Tell the Trees)1.9 Maybe1.10 Stop Pretending1.11 You're Breaking My Heart All Over Again1.12 We Three (My Echo, My Shadow and Me)1.13 My Greatest Mistake1.14 Java Jive1.15 Do I Worry1.16 Please Take a Letter Miss Brown1.17 I'm Still Without a Sweetheart ('Cause I'm Still in Love with You)1.18 So Sorry1.19 Until the Real Thing Comes Along1.20 I Don't Want to Set the World on Fire1.21 Someone's Rocking My Dreamboat1.22 Ev'ry Night About This Time1.23 Just As Though You Were Here1.24 This Is Worth Fighting for2.1 Don't Get Around Much Anymore2.2 If I Cared a Little Bit Less (And You Cared a Little More)2.3 I Can't Stand Losing You2.4 I'll Never Make the Same Mistake Again2.5 Don't Believe Everything You Dream2.6 A Lovely Way to Spend An Evening2.7 Cow Cow Boogie2.8 I'll Get By2.9 Someday I'll Meet You Again2.10 I'm Making Believe2.11 Into Each Life Some Rain Must Fall2.12 I'm Beginning to See the Light2.13 The Gypsy2.14 Prisoner of Love2.15 To Each His Own2.16 You Can't See the Sun When You're Crying2.17 Ask Anyone Who Knows2.18 The Best Things in Life Are Free2.19 Say Something Sweet to Your Sweetheart2.20 You Were Only Fooling2.21 You're Breaking My Heart2.22 Who Do You Know in Heaven (That Made You the Angel You Are)2.23 Echoes2.24 Ifコメント:Ink Spots - The Hits Collection 1939-51 The Ink Spots, along with the Mills Brothers, were one of the leading early doowop vocal groups during the decades spanning WWII, bringing together the influences of barber-shop quartets, gospel and jazz to create a sound and style that appealed to the mainstream pop market. Employing a distinctive guitar introduction, and using the "top and bottom" technique that contrasted the high tenor lead vocal of Bill Kenny with the bass voice of Orville Jones delivering a spoken verse, they developed a successful formula that was all their own, and between 1939 and 1951 they had around 50 hits in the various incarnations of the charts. In fact they had too many hits for us to be able to include all of them in this great-value 48-track 2-CD collection, which features all their Top 30 pop hits and all their Top 10 R&B hits, plus a few more, including those with Ella Fitzgerald. It features the No. 1s "Address Unknown", "We Three (My Echo, My Shadow And Me)", "I'm Making Believe", "Into Each Life Some Rain Must Fall", "The Gypsy", and "To Each His Own" plus the R&B No.1s "I Can't Stand Losing You" and "Don't Get Around Much Anymore". It's a concentrated presentation of their very best recordings, featuring their highly individual treatments of some of the finest songs of the era, and it's a marvellous showcase for their unique style of music.Ink Spots - The Hits Collection 1939-51 The Ink Spots, along with the Mills Brothers, were one of the leading early doowop vocal groups during the decades spanning WWII, bringing together the influences of barber-shop quartets, gospel and jazz to create a sound and style that appealed to the mainstream pop market. Employing a distinctive guitar introduction, and using the "top and bottom" technique that contrasted the high tenor lead vocal of Bill Kenny with the bass voice of Orville Jones delivering a spoken verse, they developed a successful formula that was all their own, and between 1939 and 1951 they had around 50 hits in the various incarnations of the charts. In fact they had too many hits for us to be able to include all of them in this great-value 48-track 2-CD collection, which features all their Top 30 pop hits and all their Top 10 R&B hits, plus a few more, including those with Ella Fitzgerald. It features the No. 1s "Address Unknown", "We Three (My Echo, My Shadow And Me)", "I'm Making Believe", "Into Each Life Some Rain Must Fall", "The Gypsy", and "To Each His Own" plus the R&B No.1s "I Can't Stand Losing You" and "Don't Get Around Much Anymore". It's a concentrated presentation of their very best recordings, featuring their highly individual treatments of some of the finest songs of the era, and it's a marvellous showcase for their unique style of music.